Abstract: (Journey to the Center of the poetry and Being. Transcendence and Vision: The Great Passage (1924), Lucian Blaga) Strongly impressed by the expressionist tension, the blagian volume The Great Passage (1924) marks the establishment of an abyss between the meanings of the outer world and the level of inner feelings, the generator of the inevitable existential crisis. The romantic experience of seeking absolute communion is transformed into the poetry of Lucian Blaga (and, with him, to all interwar poetry) into the conflict of the world with consciousness, marked by deep metaphysical disturbances and anxiety. The poet is the one who is wearing the coat of the missionary, being the one who came in order to restore balance, by (eventually!) returning to the original space, avoiding the apocalypse. Through the necessary suspension of alterity and the promotion of an absolute language that communicates itself without necessarily communicating something (E. Coșeriu), Poetry thus becomes an authentic catalyst of universal harmony, restoring calm resorption.